VISUAL ARTS
TABLE OF CONTENTS - VISUAL ARTS
INTRODUCTION
A comprehensive and sequential visual arts program is
essential to the education of every student. Such a program provides:
Opportunities to communicate visually
Encouragement of creativity
Development of higher order thinking skills
Connections in cultural and historical context
Reinforcement of self-esteem
Development of perceptual awareness
Exposure to a variety of career opportunities and avocations
Interdisciplinary learning
Experiences that build self-discipline
Fulfillment through the creative process
Understanding of a unique body of knowledge
Use of the Curriculum Framework
This framework should be used as a guideline to develop
curriculum that is pertinent and has meaning within each district or school
situation. It is not meant to be a text or lesson plan format. This document
is strictly a framework to be used by districts in creating their own curriculum.
Competencies were developed using the National Standards
providing a high quality, sequential framework. The competencies are comprehensive
yet provide ample opportunity for local and individualized goals. Only
competencies are required. Objectives, strategies, and assessments are
suggested.
Curriculum Framework Parts
Strands are basic components that are included at every
grade level throughout the framework. Each of these strands is an intregal
part of the total study of the visual arts. The strands are Production
(P), Media (M), Criticism/Aesthetics (C), History (H), and Integration
(I)
Competencies are desired results from students' experiences
in the learning environment. The competencies in this framework are required.
Objectives are means by which the student achieves the
desired results of learning. Objectives listed in this document are simply
suggestions. Each district and/or school may use these suggestions or develop
their own objectives to fulfill the required competencies.
Strategies are methods and activities through which the
students achieve objectives/competencies. Strategies are suggested as examples
only. Each district and/or school should individualize strategies according
to the needs of their students. Strategies are identified as to learning
styles: Visual (V), Auditory (A), and Kinesthethic (K).
Assessments are methods of evaluation to determine achievement
of competencies. These methods are suggested and should be adapted for
use by each district and/or school. Assessment modes include open-ended
(OP), rubric or checklist (R), and fixed response (FR).
VISUAL
ARTS
COURSE DESCRIPTION
KINDERGARTEN
This course is designed to stimulate intellectual development
with emphasis on critical thinking skills through guided creative exploration
of basic principles of the Visual Arts.
STRANDS: Production, Media, Criticism/Aesthetics,
History, Integration
KINDERGARTEN COMPETENCIES: 1, 2,
3,
4, 5, 6,
7
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
1. Explore visual characteristics in works of art with
emphasis on color, line, texture, and shape.
Suggested Objectives:
a. Name and find examples of the primary colors (red,
yellow, blue) in works of art and in objects in the environment.
b. Name and find examples of the secondary colors (violet,
green, orange) in works of art and in objects in the environment.
c. Name and point to shapes (circle, square, rectangle,
triangle) in works of art and in objects in the environment.
d. Name and identify different kinds of lines (straight,
crooked, zigzagged, thin, wide) in works of art and in objects in the environment.
e. Show and tell how works of art are alike and different
(color, line, shape).
f. Create works of art using color, line, and shape.
g. Identify the elements of color, line, and shape in
master works of art.
Suggested Teaching Strategies:
Present various master works of art such as Miro's
"Carnival of Harlequins" or Miro's "The Farm." Have students identify lines,
shapes, and colors used in the works and relate these to those in their
environment. Afterwards have students create works of art using line, shape,
and color. (A, V, K)
Suggested Assessment Methods:
Strands: CRITICISM/AESTHETICS,
HISTORY.
COMPETENCIES:
2. Describe how artists express feelings in works of
art.
Suggested Objectives:
a. Identify and compare how artists have used the elements
of color, line, and shape to create feelings in works of art.
b. Discuss why artists choose to depict feelings in a
work of art.
c. Describe how works of art make the artist feel (e.g.,
happy, sad, mad, scared, peaceful, and excited).
Suggested Teaching Strategies:
Present master works that express different emotions
such as Picasso's "Guernica" (fear and anguish) and Pierre-Auguste Renoir's
"Le Moulin de la Galette" (happy). Have students explain why they feel
these works express certain feelings. (V, A)
Suggested Assessment Methods:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
3. Produce recognizable objects, images, and symbols
to communicate ideas using different media, techniques, and processes.
Suggested Objectives:
a. Produce drawings using a variety of media (e.g., crayon,
chalk, pencil, markers).
b. Create paintings using a variety of media (e.g., finger
paint, tempera, watercolor).
c. Make shapes and form objects with pliable material
(e.g., play dough, clay).
d. Make printed images (e.g., vegetable, fruit, found
object, sponge, brush).
e. Create original (not traced or copied) works of art
using recognizable objects, images, and symbols to communicate ideas.
f. Demonstrate manipulative skills by performing a variety
of tasks (e.g., cutting, gluing, arranging, constructing, sorting, tracing,
rubbing, folding, bending, modeling, coloring, painting, drawing, printing,
scribbling, blending, stitching, wrapping, weaving, tearing).
Suggested Teaching Strategies:
Introduce several dry media such as crayons, soft
pastels, and oil pastels. After students have explored each by making lines,
coloring shapes, and blending, have student create a composition from personal
symbols.
Suggested Assessment Methods:
Have student tell what he/she learned about the different
media and explain why he/she chose the media used in the work. (O)
Strands: CRITICISM/AETHESTICS.
COMPETENCIES:
4. Identify various art forms in the school, home, and
community (e.g., quilts, baskets, pottery, buildings, clothes, toys).
Suggested Objectives:
a. Identify works of art within student's environment.
b. Recognize why works of art were created (e.g., to
tell a story, to illustrate a holiday, to commemorate a historical event,
to honor a famous person, to sell a product, for decoration, or for a functional
purpose).
Suggested Teaching Strategies:
Tour the school environment and have students locate
various art forms and identify why they were made and how they were used.
(A, V, K)
Suggested Assessment Methods:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
5. Use art materials and tools in a safe and responsible
manner.
Suggested Objectives:
a. Practice safety and conservation in the use of tools,
materials, and equipment.
b. Identify proper tools to be used along with given
techniques.
Suggested Teaching Strategies:
As different tools and materials are introduced, demonstrate
proper usage of each. (A, V, K)
Suggested Assessment Methods:
Teacher observation. (FR, R)
Strands: CRITICISM/AETHESTICS,
HISTORY.
COMPETENCIES:
6. Examine works of art from different times and culture.
Suggested Objectives:
a. Identify works of art that were created at different
times.
b. Identify works of art that were created in different
cultures.
Suggested Teaching Strategies:
Using reproductions, expose students to a variety
of decorative and fine art forms from a wide range of times and cultures.
(A, V)
Suggested Assessment Methods:
Have students identify works of art by making simple
drawings. Have students identify works from specific times and cultures
by making simple drawings. (FR, R)
Strands: INTEGRATION.
COMPETENCIES:
7. Make connections between the visual arts and other
disciplines.
Suggested Objectives:
a. Create simple shapes used in the alphabet.
b. Use simple shapes to create opposites (organic vs.
geometric).
Suggested Teaching Strategies:
Have students create a large picture of a letter of
the alphabet. Student should fill the shapes with pattern and color. Have
students identify objects from the classroom that start with the letter
chosen.
Suggested Assessment Methods:
Teacher observation. (FR, R)
VISUAL
ARTS
COURSE DESCRIPTION
GRADE 1
This course is designed to stimulate intellectual development
with emphasis on critical thinking skills through guided creative exploration
of basic principles of the Visual Arts.
STRANDS: Production, Media, Criticism/Aesthetics,
History, Integration
GRADE 1 COMPETENCIES: 1,
2,
3, 4,
5,
6, 7,
8,
9
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
1. Explore visual characteristics in works of art with
emphasis on color, line, shape, texture, value, space, balance, rhythm,
and pattern.
Suggested Objectives:
a. Name the primary colors (red, yellow, blue) and the
secondary colors (green, orange, violet), explain how the primary colors
are used to make the secondary colors, and point out examples of primary
and secondary colors in works of art and in objects in the environment
(e.g., books, newspapers, magazines, clothes, toys, furniture).
b. Identify two-dimensional shapes in works of art and
in the environment.
c. Name and point out different kinds of lines (e.g.,
straight, curved, broken, wavy, thick, thin, short, long).
d. Identify a variety of textures (e.g., smooth, rough,
scratchy, prickly, slick, soft, hard).
e. Differentiate between various values in color or black
and white (light, medium, and dark).
f. Recognize patterns in works of art and in objects
in the environment.
g. Locate objects in the environment that are symmetrically
balanced (i.e., the same on both sides [e.g., butterflies, snowflakes,
faces]).
h. Identify design elements (i.e., line, shape, form,
value, color, texture, space) and design principles (i.e., balance, contrast/variety,
pattern, unity/harmony, emphasis/dominance, rhythm/movement) in artworks
and objects in the environment.
i. Create works of art using color, line, shape, texture,
value, space, balance, rhythm and pattern.
j. Identify the elements and principles of design in
master works of art.
Suggested Teaching Strategies:
Expose students to master works that show the elements
and principles of design.
Have students identify these elements and principles
in the master works. Have students find examples in the environment. Afterwards,
create works of art using the elements and principles of design. The elements
and principles can be covered one at a time or in combination. (A, V, K)
Suggested Assessment Methods:
Teacher observation. (O)
Checklist for specific criteria. (R)
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
3. Produce recognizable objects, images, and symbols
to communicate ideas using different media, techniques, and processes.
Suggested Objectives:
a. Produce drawings using a variety of media (e.g., crayon,
chalk, pencil, markers).
b. Create paintings using a variety of media (e.g., finger
paint, tempera, watercolor).
c. Design three-dimensional objects using available materials
(e.g., play dough, clay, cardboard, folded or bent paper).
d. Make printed images (e.g., fold prints, found objects,
finger paints, texture rubbings, brush or sponge prints).
e. Produce a textile design (e.g., weaving, collage)
using a variety of media (e.g., yarn, paper, and other fibers).
f. Create original (not traced or copied) works of art
using recognizable objects, images, and symbols to communicate ideas.
g. Demonstrate manipulative skills by performing a variety
of tasks (e.g., cutting, gluing, arranging, constructing, sorting, tracing,
rubbing, folding, bending, modeling, coloring, painting, drawing, printing,
scribbling, stitching, wrapping, weaving, tearing).
Suggested Teaching Strategies:
Demonstrate the correct use of scissors and methods
of sorting, wrapping, and weaving. Discuss pattern and show examples of
woven textures and patterns. Provide a variety of materials (wallpaper,
construction paper, raffia sticks, feathers, etc.) to create a weaving.
(A, V, K)
Suggested Assessment Methods:
Checklist with specific criteria such as texture,
variety, development of pattern, etc. (R)
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
4. Understand various purposes for creating works of
visual art.
Suggested Objectives:
a. Look at and talk about various art forms in the school,
home, and community (e.g., quilts, baskets, pottery, buildings, clothes,
toys).
b. Tell why he/she thinks works of art were created (e.g.,
does it tell a story, illustrate a holiday, commemorate a historical event,
honor a famous person, sell a product, for decoration or functional purpose,
expresses a feeling).
Suggested Teaching Strategies:
Have students bring objects from home. Collect objects
from the school environment. Discuss the characteristics of each object
that make it an art (fine art, decorative, etc.).
Suggested Assessment Methods:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
5. Use art materials and tools in a safe and responsible
manner.
Suggested Objectives:
a. Practice safety and conservation in the use of tools,
materials, and equipment.
b. Identify proper tools to be used along with given
techniques.
Suggested Teaching Strategies:
As different tools and materials are introduced, demonstrate
proper usage of each. (A, V, K)
Suggested Assessment Methods:
Teacher observation. (FR, R)
Strands: CRITICISM/AESTHETICS,
HISTORY.
COMPETENCIES:
6. Recognize how a person's experiences influence the
development of specific artwork.
Suggested Objectives:
a. Convey how time and environment affect an artist's
work.
b. Discuss how social and personal experiences affect
an artist's work.
Suggested Teaching Strategies:
After viewing Charles Russell's "The Mail Must Go
Through", have students relate activity of the work to present day activities
(e.g., Who would deliver the mail today? What would he/she be wearing?
What type of transportation would be used?). (A, V)
Suggested Assessment Methods:
Strands: HISTORY,
INTEGRATION.
COMPETENCIES:
7. Investigate the influences of history and various
cultures on the visual arts.
Suggested Objectives:
a. Identify works of art as belonging to particular cultures.
b. Identify types of art that were created at different
times.
Suggested Teaching Strategies:
While exploring the arts of the Native Americans,
contrast these to the works of the European-American artists of the same
period. (A, V)
Suggested Assessment Methods:
Strands: INTEGRATION.
COMPETENCIES:
8. Make connections between the visual arts and other
disciplines.
Suggested Objectives:
a. Tell or write about the common concepts found in works
of art and subject areas (e.g., illustrations used in books and printed
materials [language arts], arts and crafts produced in various cultures
[social studies], color theory in pigment, light, balance and symmetry
found in nature, patterns in leaves, and shells [science], rhythm and movement
[music, dance, and drama], size relationships, proportions, ranking, sorting
[mathematics]).
b. Create a work of art to be used in another discipline.
Suggested Teaching Strategies:
Provide an assortment of illustrated children's books
and discuss how pictures help tell a story. Have each student select a
specific book to read and explain to the class how one illustration is
used to enhance the story. (A, V, K)
Suggested Assessment Methods:
Strands: MEDIA,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
9. Employ basic art vocabulary.
Suggested Objectives:
a. Use art vocabulary (color, shape, line, texture, etc.,
as appropriate to media, techniques, and process) when talking about his/her
own work and the work of others.
b. Use art vocabulary as appropriate to student's environment.
Suggested Teaching Strategies:
Show examples of texture in works of art and in physical
surroundings. Have student select an object in the room and say, "This
texture is . . . (smooth, rough, soft, etc.)." (A, V, K)
Suggested Assessment Methods:
Teacher observation. (FR, R)
VISUAL
ARTS
COURSE DESCRIPTION
GRADE 2
This course is designed to stimulate intellectual development
with emphasis on critical thinking skills through guided creative exploration
of basic principles of the Visual Arts.
STRANDS: Production, Media, Criticism/Aesthetics,
History, Integration
GRADE 2 COMPETENCIES: 1,
2,
3, 4,
5,
6, 7,
8,
9, 10
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
1. Explore visual characteristics in works of art with
emphasis on the elements and principles of design (elements - color, line,
shape and form, texture, value, space; principles - balance, repetition,
unity, contrast, proportion, emphasis).
Suggested Objectives:
a. Use the primary colors (red, yellow, blue) to make
the secondary colors (green, orange, violet), and find examples in works
of art and objects in the environment.
b. Identify and use two-dimensional shapes in various
ways to create pictures or collages.
c. Name, point out, and use a variety of lines (diagonal,
vertical, horizontal, etc.) to create works of art.
d. Find a variety of textures (e.g., smooth, rough, scratchy,
prickly, slick, soft, hard) and produce textural images (e.g., rubbings,
drawings, paintings).
e. Recognize and create light and dark values of a color
by adding black or white.
f. Recognize and use spatial relationships (positive
and negative) in works of art.
g. Identify and use the basic shapes to create patterns.
h. Find examples of symmetrical balance in works of art
and in objects in the environment.
i. Find and point out examples of movement and rhythm
in works of art and in objects in the environment.
j. Identify design elements (i.e., line, shape, form,
value, color, texture, space) and design principles (i.e., balance, contrast/variety,
pattern, unity/harmony, emphasis/dominance, rhythm/movement) in works of
art and objects in the environment.
k. Summarize how works of art are alike and different
(color, line, shape, texture, etc.).
Suggested Teaching Strategies:
Using Picasso's "The Three Musicians," have students
explore the use of two-dimensional shapes to simplify more complex form.
Have students create a simple cubistic collage using cut paper and glue.
(A, V, K)
Suggested Assessment Methods:
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
3. Create works of art using different media, techniques,
and processes to communicate ideas, experiences, and stories.
Suggested Objectives:
a. Produce drawings using a variety of media to communicate
personal ideas (e.g., crayon, chalk, pencil, markers).
b. Create paintings using a variety of media (e.g., finger
paint, tempera, watercolor).
c. Design three-dimensional objects using available materials
(e.g., play dough, clay, cardboard tubes/boxes, folded or bent paper, paper
bags).
d. Make printed images (e.g., fold prints, found objects,
fingerprints, texture rubbings, brush or sponge prints).
e. Produce a textile design (e.g., weaving, collage)
using a variety of media (e.g., yarn, paper, and other fibers).
f. Demonstrate manipulative skills by performing a variety
of tasks (e.g., cutting, gluing, arranging, constructing, sorting, tracing,
rubbing, folding, bending, modeling, coloring, painting, drawing, printing,
scribbling, stitching, wrapping, weaving, tearing).
g. Create original (not traced or copied) works of art
using recognizable objects, images, and symbols to communicate ideas.
Suggested Teaching Strategies:
After viewing several examples of three-dimensional
works of art (sculpture, architecture, pottery, etc.) have the student
create a three-dimensional work using non-plastic materials. (A, V, K)
Suggested Assessment Methods:
Checklist for specific types of three-dimensional
work. (R)
Strands: CRITICISM/AETHESTICS.
COMPETENCIES:
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
6. Use art materials and tools in a safe and responsible
manner.
Suggested Objectives:
a. Practice safety and conservation in the use of tools,
materials, and equipment while creating original works of art (not traced
or copied).
b. Identify proper tools to be used along with given
techniques.
Suggested Teaching Strategies:
As different tools, materials, and techniques are
introduced, demonstrate proper use of each. (A, V, K)
Suggested Assessment Methods:
Teacher observation. (O)
Checklist. (FR, R)
Strands: CRITICISM/AESTHETICS.
COMPETENCIES:
7. Describe how a person's experiences influence the
development of specific artwork and understand there are different responses
to specific artwork.
Suggested Objectives:
a. Convey how time and environment affects an artist
and his/her work.
b. Discuss how social and personal experiences affect
an artist's work.
c. Observe different responses to a single work of art.
Suggested Teaching Strategies:
Have students respond orally or in writing to a single
work of art. Present selected responses so that students may observe different
interpretations of the work. (A, V, K)
Suggested Assessment Methods:
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
8. Investigate how history, culture, and the visual arts
can influence each other.
Suggested Objectives:
a. Identify works of art as belonging to particular cultures.
b. Identify works of art created at different times.
Suggested Teaching Strategies:
Have students bring a photograph of themselves (school
picture or snap shot) to class. After viewing portraits from the early
Italian Renaissance, have students investigate the differences between
these portraits and their photographs (e.g., style, method of production,
clothing, status of subject). (A, V)
Suggested Assessment Methods:
Strands: INTEGRATION.
COMPETENCIES:
9. Make connections between the visual arts and other
disciplines.
Suggested Objectives:
a. Tell or write about the common concepts found in works
of art and subject areas (e.g., illustrations used in books and printed
materials [language arts], arts and crafts produced in various cultures
[social studies], color theory in pigment, light, balance and symmetry
found in nature, patterns in leaves and shells [science], rhythm and movement
[music, dance, and drama], size relationships, proportions, ranking, sorting
[mathematics]).
b. Create a work of art to use in another discipline.
Suggested Teaching Strategies:
Show examples from nature that exemplify radial symmetry
(starfish, orange, tree rings, bell pepper, half an apple, kaleidoscopes,
flowers). Define radial symmetry and ask students for additional examples.
(A, V, K)
Suggested Assessment Methods:
Strands: MEDIA,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
10. Employ basic art vocabulary.
Suggested Objectives:
a. Use art vocabulary (color, shape, line, texture, etc.)
as appropriate to media, technique, and process when talking about his/her
own work and the work of others.
b. Use art vocabulary as appropriate to student's environment.
Suggested Teaching Strategies:
Using works of art either by the student or master
artists, have students select and name directional lines used within the
composition (e.g., diagonal, horizontal, vertical).
Suggested Assessment Methods:
Teacher observation. (FR, R)
VISUAL
ARTS
COURSE DESCRIPTION
GRADE 3
This course is designed to stimulate intellectual development
with emphasis on critical thinking skills through guided creative exploration
of basic principles of the Visual Arts.
STRANDS: Production, Media, Criticism/Aesthetics,
History, Integration
GRADE 3 COMPETENCIES: 1,
2,
3, 4,
5,
6, 7,
8,
9, 10,
11,
12
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
1. Explore visual characteristics in works of art with
emphasis on the elements and principles of design (elements - color, line,
shape and form, texture, value, and space; principles - balance, repetition,
unity, contrast, proportion, and emphasis).
Suggested Objectives:
a. Using the primary colors (red, yellow, blue) and secondary
colors (green, orange, violet), mix the intermediate colors (yellow-orange,
yellow-green, blue-green, blue-violet, red-orange, red-violet) and place
them on the color wheel and find examples in works of art and in objects
in the environment.
b. Identify the basic three-dimensional forms (sphere,
cube, pyramid, cylinder, and cone), relate them to the basic two-dimensional
shapes, relate shapes to forms, and forms to objects in the environment.
c. Identify textural images in works of art and in objects
in the environment and use a variety of media (crayon, paper, fabric, yarn)
to simulate real and imaginary textures.
d. Create monochromatic values by adding black or white
to a color and identify examples in works of art and in the environment.
e. Show different spatial viewpoints in drawings of real
or imaginary objects.
f. Use a variety of lines, shapes, and colors to make
repeating patterns.
g. Find examples of symmetrical balance (formal) and
asymmetrical balance (informal) in works of art and in objects in the environment
and use balance in producing works of art.
h. Cite examples of rhythm and movement that are found
in nature and create pictures using both principles.
i. Identify design elements (i.e., line, shape, form,
value, color, texture, space) and design principles (i.e., balance, contrast/variety,
pattern, unity/harmony, emphasis/dominance, rhythm/movement) in artworks
and objects in the environment.
Suggested Teaching Strategies:
Present a reproduction of Seurat's "Sunday on La Grande
Jatte." Have students identify primary, secondary, and intermediate colors.
Using pointillism, have students produce a painting using only the primary
colors.
Suggested Assessment Methods:
Checklist for specific criteria. (R)
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
Strands: CRITICISM/AESTHETICS,
PRODUCTION, HISTORY, INTEGRATION, MEDIA.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
6. Use art materials and tools in a safe and responsible
manner.
Suggested Objectives:
a. Practice safety and conservation in the use of tools,
materials, and equipment while creating original (not traced or copied)
works of art.
b. Identify works of art within student's environment.
Suggested Teaching Strategies:
As different tools, materials, and techniques are
introduced, demonstrate proper use of each. (A, V, K)
Suggested Assessment Methods:
Teacher observation. (FR, R)
Checklist. (FR, R)
Strands: CRITICISM/AESTHETICS,
HISTORY.
COMPETENCIES:
7. Describe how a person's experiences influence the
development of specific artworks and compare different responses to specific
artworks.
Suggested Objectives:
a. Convey how time and environment affect an artist and
his/her work.
b. Discuss how social and personal experiences affect
an artist's work.
c. Observe different responses by the viewer to a single
work of art.
Suggested Teaching Strategies:
Research Chuck Close and his work. Examine how his
work and techniques have changed over time due to economic success, physical
limitations, and changes in society. Have students write about their findings.
Suggested Assessment Methods:
Teacher observation. (O)
Written work. (R)
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
8. Investigate how history, culture, and the visual arts
can influence each other.
Suggested Objectives:
a. Identify works of art as belonging to a particular
culture or place.
b. Identify works of art created at different times and
in different styles.
Suggested Teaching Strategies:
Provide hands-on activities, such as a teacher-made
game in which they match reproductions to style characteristics. (A, V,
K)
Suggested Assessment Methods:
Teacher observation. (FR, R)
Strands: PRODUCTION,
INTEGRATION.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA, INTEGRATION.
COMPETENCIES:
Strands: MEDIA,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
11. Employ basic art vocabulary.
Suggested Objectives:
a. Use art vocabulary (e.g., color, shape, line, texture,
balance, contrast, pattern, etc.) as appropriate to the media, technique,
and process when talking about his/her own work and the work of others.
b. Use art vocabulary as appropriate to the student's
environment and daily activity.
Suggested Teaching Strategies:
Have students write two sentences describing objects
in their environment using appropriate art vocabulary.
Suggested Assessment Methods:
Proper use of terms in written work. (R)
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
VISUAL
ARTS
COURSE DESCRIPTION
GRADE 4
This course is designed to build skills in creativity
and intellectual abilities, particularly critical thinking skills, through
guided learning and practice in the Visual Arts. Basic principles and concepts
of the Visual Arts are applied. Particular emphasis is placed on the study
of Mississippi artists during this course.
STRANDS: Production, Media, Criticism/Aesthetics,
History, Integration
GRADE 4 COMPETENCIES: 1,
2,
3, 4,
5,
6, 7,
8,
9, 10,
11,
12
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
1. Apply and assess visual characteristics in works of
art with emphasis on content and the elements and principles of design
(elements - color, lines, shape and form, texture, value, and space; principles
- balance, repetition, unity, contrast, proportion, and emphasis).
Suggested Objectives:
a. Identify complementary colors in works of art and
in objects in the environment, choose a pair of complements and mix them
to produce neutral grays or browns, and use them in a work of art. (Complementary
colors are two colors located directly opposite each other on the color
wheel - orange and blue, red and green, yellow and violet).
b. Use a variety of lines (e.g., straight, curved, broken,
diagonal, vertical, angular, parallel, radial) to draw shapes (e.g., circle,
square, rectangle, triangle, oval, diamond, star, octagon) and forms (cube,
cylinder, sphere, pyramid, cone) to represent simple objects.
c. Use different lines to create a variety of shapes,
designs, and textural patterns.
d. Create a range of values using black and white media
to produce works of art.
e. Point out background, middle ground, and foreground
in a picture.
f. Create mirror images using positive/negative space.
g. Apply the principles of symmetrical balance (formal)
and asymmetrical balance (informal) in creating artworks and find examples
of both types of balance in the environment.
h. Find examples of contrast in works of art and in objects
in the environment and use contrast by showing differences in one or more
design elements or principles (e.g., color, value, texture, size, pattern).
i. Evaluate design elements (i.e., line, shape, form,
value, color, texture, space) and design principles (i.e., balance, contrast/variety,
pattern, unity/harmony, emphasis/dominance, rhythm/movement) in artworks
and objects in the environment.
Suggested Teaching Strategies:
Introduce mirror images by providing the student with
the example vase/face exercise as utilized by Betty Edwards in Drawing
on the Right Side of the Brain. Discuss the concept of positive/negative
space. Have students create a mirror image using positive/negative space
and high contrast color. (A, V, K)
Suggested Assessment Methods:
Checklist for specific criteria. (R)
Strands: PRODUCTION,
MEDIA, CRITICISM/AESTHETICS.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA, CRITICISM/AESTHETICS.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA, CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
5. Practice safety and conservation in the use of tools,
materials, and equipment.
Suggested Objectives:
a. Practice safety and conservation in the use of tools,
materials, and equipment while creating original (not traced or copied)
works of art.
b. Identify proper tools to be used along with given
techniques.
Suggested Teaching Strategies:
As different tools, materials, and techniques are
introduced, demonstrate proper use of each. (A, V, K)
Suggested Assessment Methods:
Teacher observation. (O)
Checklist. (FR, R)
Strands: CRITICISM/AESTHETICS,
HISTORY, MEDIA, PRODUCTION, INTEGRATION.
COMPETENCIES:
6. Relate how a person's experiences direct the development
of works of art and compare different responses to specific artworks.
Suggested Objectives:
a. Evaluate how time and environment affect an artist
and his/her work.
b. Communicate how social and personal experiences affect
an artist and his/her work.
c. Examine different responses to a work of art.
Suggested Teaching Strategies:
Introduce the works of Mississippi artist Walter Anderson
and discuss how he used native plants and regional animals as subject matter
for much of his work. Discuss the geographical area in which the artist
lived and worked. Explain how his work was influenced by the region where
he worked. Question how the flora and fauna of the region where students
live are different from that of the area where Walter Anderson worked.
(A, V, K)
Suggested Assessment Methods:
Teacher observation. (O)
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
7. Demonstrate how history, culture, and the visual arts
influence each other.
Suggested Objectives:
a. Identify works of art as belonging to a particular
culture or place.
b. Identify works of art created at different times and
with different styles.
c. Recognize how the work of one culture or time influences
the work of another culture or time.
Suggested Teaching Strategies:
Introduce various Native American cultures in the
Mississippi Region. Expose students to artifacts from these cultures. Have
students analyze the effects of the European explorers on the artwork of
the Native Americans (beadwork, weaving, clothing, pottery). Follow-up
could include related production. (A, V, K)
Suggested Assessment Methods:
Strands: PRODUCTION,
INTEGRATION.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA, CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
Strands: MEDIA,
CRITICISM/AESTHETIC, HISTORY.
COMPETENCIES:
10. Use appropriate art vocabulary as students discuss
and create works of art.
Suggested Objectives:
a. Use art vocabulary (e.g., color, shape, line, texture,
balance, contrast, pattern, etc.) as appropriate to the media, techniques,
and process when talking about his/her own work and the work of others.
b. Use art vocabulary as appropriate to the students'
environment and daily activity.
Suggested Teaching Strategies:
Have students use appropriate art vocabulary as they
discuss and create works of art. (A, V)
Suggested Assessment Methods:
Teacher observation. (FR, R)
Checklist. (R)
Strands: PRODUCTION,
CRITICISM/AESTHETICS, MEDIA, HISTORY, INTEGRATION.
COMPETENCIES:
Strands: HISTORY,
INTEGRATION.
COMPETENCIES:
12. Explore the role of artists in the community.
Suggested Objectives:
a. Explore the role of the artist in the community and
discuss and/or write about a variety of art related careers (architect,
video producer, package designer, fashion designer, landscape architect,
sign painter, and fine and folk artist).
b. Look at and talk about various art forms in the school,
home, or community (e.g., architecture, commercial, fashion, product, fine
and folk arts).
Suggested Teaching Strategies:
Invite artists to discuss their role in the community.
Have students write a description of the artist's role.
Suggested Assessment Methods:
VISUAL
ARTS
COURSE DESCRIPTION
GRADE 5
This course is designed to build skills in creativity
and intellectual abilities, particularly critical thinking skills, through
guided learning and practice in the Visual Arts. Basic principles and concepts
of the Visual Arts are applied. In addition to Mississippi artists, this
course emphasizes the study of a variety of stylistic and historical periods
of art.
STRANDS: Production, Media, Criticism/Aesthetics,
History, Integration
GRADE 5 COMPETENCIES: 1, 2,
3,
4, 5, 6,
7,
8, 9, 10,
11,
12, 13
Strands: PRODUCTION,
CRITICISM/AESTHETICS.
COMPETENCIES:
1. Explore the effects of visual characteristics and
identify these effects in personal work.
Suggested Objectives:
a. Recognize design elements in specific works of art.
b. Discern use of design elements and identify them in
personal work.
Suggested Teaching Strategies:
Look at examples of famous work and explain various
elements (i.e., line, color, shape/form, space, value, texture). (A, V)
Have students point out and name elements. (K)
Have students hold up an example of their own artwork
and point out one or more of the elements. (A, V, K)
Suggested Assessment Methods:
Strands: PRODUCTION,
CRITICISM/AESTHETICS.
COMPETENCIES:
Strands: PRODUCTION.
COMPETENCIES:
3. Create works of art using design elements and principles
to communicate ideas.
Suggested Objectives:
a. Group colors into color families, find examples of
color families in works of art and in objects in the environment, and use
a color family to create a work of art (red/yellow family - red, red-orange,
orange, yellow-orange, yellow; red/blue family - red, red-violet, violet,
blue-violet, blue; blue/yellow family - blue, blue-green, green, yellow-green,
yellow).
b. Find examples of texture made with lines, and draw
textures using a variety of lines (e.g., straight, curved, broken, diagonal,
vertical, angular, parallel, radial).
c. Explore a range of values using varying pressures
of the pencil to produce shading in drawings.
d. Point out examples of background, middle ground, and
foreground in landscape.
e. Show contrasting values, colors, textures, shapes,
sizes, etc., in works of art and in objects in the environment, and create
works of art using contrast.
f. Apply symmetrical/radial balance in producing kaleidoscope
designs.
g. Use different methods of perspective to illustrate
the concept of space within pictures (placement on the page, overlapping,
diminishing size).
h. Demonstrate the understanding of form by drawing objects
to appear three-dimensional.
Suggested Teaching Strategies:
After studying works by Picasso in his Blue Period,
discuss color symbolism such as blue for sadness or royalty, red for danger
or courage, etc. Students will choose a color family and create a landscape
that has a mood or emotion.
Suggested Assessment Methods:
Hang all works and have students "read" the mood or
emotion of each. (O)
Strands: PRODUCTION.
COMPETENCIES:
4. Communicate ideas through works of art focusing on
subject and theme.
Suggested Objectives:
a. Create a work of art that relays a specific message.
b. Make a series of varied images with a related theme.
Suggested Teaching Strategies:
Participate in a local and/or national poster contest
that has the purpose of a specific message or theme. Use contest guidelines
and elements and principles to organize the design.
Suggested Assessment Methods:
Look at and discuss successful "messages." (O)
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
Strands: MEDIA,
CRITICISM/AESTHETICS.
COMPETENCIES:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
7. Use art materials and tools safely and responsibly.
Suggested Objectives:
a. Practice safety and conservation in the use of tools,
materials, and equipment.
b. Identify proper tools to be used along with given
techniques.
Suggested Teaching Strategies:
Demonstrate care and use of tools for each media and
process.
Suggested Assessment Methods:
Strands: CRITICISM/AESTHETICS,
HISTORY, INTEGRATION.
COMPETENCIES:
8. Explore various purposes for creating works of art.
Suggested Objectives:
a. Investigate reasons for creating artworks in a variety
of cultures and eras.
b. Have the student tell why he/she thinks works of art
were created (e.g., does it tell a story, illustrate a holiday, commemorate
a historical event, honor a famous person, or show the artist having fun).
Suggested Teaching Strategies:
Discuss ways artists convey messages in our society
such as billboards, bus sides, TV, magazine ads, packaging, paintings,
sculptures. Brainstorm for reasons for the messages.
Suggested Assessment Methods:
Teacher observation. (O)
Essay. (O)
Strands: CRITICISM/AESTHETICS,
HISTORY, INTEGRATION.
COMPETENCIES:
9. Explore the characteristics of art in different eras
and cultures and describe responses to those works and works of their own.
Suggested Objectives:
a. Identify, analyze, and discuss various art forms in
the school, home, or community (e.g., architecture, commercial, fashion,
product, fine and folk arts) both now and in the cultures studied in other
disciplines.
b. Compare characteristics of artworks from one era or
culture to another.
c. Describe responses to their own artwork.
d. Describe responses to artwork of other eras and cultures.
Suggested Teaching Strategies:
Have students divide into small groups and research
the artworks of one era or culture. Describe the world in which the work
was created and present findings to the class (coordinating with social
studies is suggested).
Suggested Assessment Methods:
Use a rubric to determine how well students covered
the subject. (R)
Strands: HISTORY,
INTEGRATION.
COMPETENCIES:
10. Integrate the historical and cultural context of
a variety of artworks.
Suggested Objectives:
a. Tell or write about common concepts found in works
of art and subject areas (e.g., illustrations used in books and printed
material [language arts]; arts and crafts produced in various cultures
[social studies]; color theory in pigment and light, balance and symmetry
found in nature, patterns in leaves and shells [science]; rhythm and movement
[music, dance, and drama]; size relationships, proportions, ranking, sorting
[mathematics]).
b. Create works of art using integrated knowledge.
Suggested Teaching Strategies:
Look at symmetry in plants. Recall studies in the
science class about plant structure. Create a design for a book cover based
on that study.
Suggested Assessment Methods:
Evaluate the influence of plant structure on completed
design. (R)
Strands: MEDIA,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
11. Discuss and create works of art using appropriate
art vocabulary.
Suggested Objectives:
a. Use art vocabulary (e.g., color, shape, line, texture,
contrast, rhythm, movement) when talking about his/her own work and the
work of others.
b. Critique (in oral or written form) his/her own work
using the art concepts and vocabulary he/she has learned.
Suggested Teaching Strategies:
Create a word find of art terms.
Suggested Assessment Methods:
Strands: PRODUCTION,
MEDIA, CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
Strands: HISTORY,
INTEGRATION.
COMPETENCIES:
VISUAL
ARTS
COURSE DESCRIPTION
GRADE 6
This course is designed to build skills in creativity
and intellectual abilities, particularly critical thinking skills, through
guided learning and practice in the Visual Arts. Basic principles and concepts
of the Visual Arts are applied. In addition to Mississippi artists, this
course emphasizes the study of a variety of stylistic and historical periods
of art.
STRANDS: Production, Media, Criticism/Aesthetics,
History, Integration
GRADE 6 COMPETENCIES 1, 2,
3,
4, 5, 6,
7,
8, 9, 10,
11,
12, 13
Strands: PRODUCTION,
CRITICISM/AESTHETICS.
COMPETENCIES:
1. Recognize the effects of design elements and identify
these effects on their personal work.
Suggested Objectives:
a. Review design elements and their use in specific works
of art.
b. Identify and explain use of elements in their own
work.
Suggested Teaching Strategies:
Look at famous artworks and works created by students.
Point out elements and principles. Famous works might be shown on slides,
transparencies, or reproductions. Allow students to get up and point to
the element or principle.
Suggested Assessment Methods:
Rubric to determine level of understanding. (R)
Strands: PRODUCTION,
CRITICISM/AESTHETICS.
COMPETENCIES:
2. Recognize design principles and analyze their effectiveness
in the communication of ideas.
Suggested Objectives:
a. Review design principles and their use in specific
works of art.
b. Discuss use of design principles to communicate an
idea.
Suggested Teaching Strategies:
Create a flannel board activity which scrambles the
letters of the principles of design. Allow students to work as teams to
unscramble.
Suggested Assessment Methods:
Strands: PRODUCTION.
COMPETENCIES:
3. Create works of art using design elements and principles
to communicate ideas.
Suggested Objectives:
a. Produce two and three-dimensional drawings (e.g.,
contour, gesture, shaded) using a variety of media (e.g., crayon, chalk,
pencil, markers).
b. Design three-dimensional objects using available materials
(e.g., plasticine, clay, cardboard tubes/boxes, folded or bent paper, paper
bags, paper plates, wire, pipe cleaners) using design concepts.
c. Make printed images (e.g., found objects, stenciling,
brush or sponge prints, styrofoam, cardboard, inner tube).
d. Produce a textile design (e.g., weaving, collage,
stitchery) using a variety of media (e.g., yarn, paper, and other fibers).
e. Find tints (color + white = lightened color) and shades
(color + black = darkened color) in works of art and in objects in the
environment, list names of the tints and shades (e.g., rust, burgundy,
maroon, forest green, olive, pink, peach, mint, lavender), mix tints and
shades by adding varying amounts of black or white to a color, and use
them to make works of art.
f. Create two or three-dimensional textures using a variety
of media, identify examples of two and three-dimensional textures, and
analyze them to locate lines, shapes, and patterns.
g. Use symmetry to draw and paint objects found in nature
(e.g., leaves, insects, butterflies, flowers, etc.) and man-made objects
(e.g., houses, vehicles, furniture).
h. Use different methods of perspective to illustrate
the concept of space within pictures (placement on the page, overlapping,
diminishing size/color in relationship to the viewer).
i. Apply the concepts of balance and proportion in drawing/painting/sculpting
figures.
j. Demonstrate an understanding of form by drawing, painting,
or sculpting objects to appear three-dimensional.
Suggested Teaching Strategies:
Collect a generous number of objects that have a partially
raised surface, such as coins, shoe soles, leaves, etc. Place newspaper
over arranged items and rub with the side of a crayon so "impressions"
of the raised surfaces are created, or collect texture rubbings of tombstones
by visiting a nearby graveyard.
Suggested Assessment Methods:
Strands: PRODUCTION.
COMPETENCIES:
4. Communicate ideas through works of art focusing on
theme and the use of symbols.
Suggested Objectives:
a. Use common symbols to create a work of art.
b. Use different media or processes to express the same
theme.
Suggested Teaching Strategies:
Discuss well-known symbols such as fast food restaurants,
road signs, school mascots. Create a symbol for yourself.
Suggested Assessment Methods:
Gradesheet/rubric for meeting criteria.
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
5. Recognize the qualities and characteristics of art
media, techniques, and processes to enhance communication and observe how
these characteristics create different responses.
Suggested Objectives:
a. Recognize at least five media and/or processes in
artworks.
b. Compare the different effects and values achieved
through the use of different media.
c. Use a minimum of five media and/or processes to create
works of art and compare responses.
Suggested Teaching Strategies:
Create paintings using a variety of media (e.g., tempera,
watercolor, markers, ink, oil pastels). Place in a portfolio when all are
completed, display together, and observe how each affects the viewer.
Suggested Assessment Methods:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
6. Use art materials and tools safely and responsibly.
Suggested Objectives:
a. Demonstrate proper care and use of tools and materials.
b. Demonstrate manipulative skills by performing a variety
of tasks (e.g., cutting, gluing, arranging, constructing, sorting, tracing,
rubbing, folding, bending, modeling, coloring, painting, drawing, printing,
scribbling, stitching, wrapping, weaving, tearing).
Suggested Teaching Strategies:
Demonstrate how to use a ruler; draw lines correctly
with the ruler.
Suggested Assessment Methods:
Strands: CRITICISM/AESTHETICS,
HISTORY, INTEGRATION.
COMPETENCIES:
7. Recognize various purposes for creating works of art.
Suggested Objectives:
a. Review major reasons artwork was created in cultures/eras
studied in other curriculum areas.
b. List several reasons for creating art.
Suggested Teaching Strategies:
Use a Wheel of Fortune game format for "discovering"
reasons for creating art.
Suggested Assessment Methods:
Strands: HISTORY.
COMPETENCIES:
8. Recognize the characteristics and context of art in
different eras and cultures and describe responses to those works and works
of their own. (H)
Suggested Objectives:
a. Examine characteristics of artwork from cultures and
eras included in the social studies curriculum.
b. Compare characteristics of artworks from one era or
culture to another.
Suggested Teaching Strategies:
Set aside a "critique" day. Allow students a small
privilege to make the day exciting. Have students volunteer to analyze
and critique works of art for the class, especially their own work. Include
characteristics and context in the analysis.
Suggested Assessment Methods:
Rubric to determine criteria met. (R)
Strands: CRITICISM/AESTHETICS,
HISTORY, INTEGRATION.
COMPETENCIES:
9. Describe responses to student's own artwork and artwork
of others.
Strands: INTEGRATION.
COMPETENCIES:
10. Integrate principles and subject matter from other
disciplines into the visual arts.
Suggested Objectives:
a. Tell or write about common concepts found in works
of art and subject areas (e.g., illustrations used in books and printed
materials [language arts], arts and crafts produced in various cultures
[social studies], color theory in pigment, light, balance and symmetry
found in nature, patterns in leaves and shells [science], rhythm and movement
[music, dance, and drama], size relationships, proportions, ranking, sorting
[mathematics]).
b. Use images from other disciplines as an inspiration
for personal artworks.
Suggested Teaching Strategies:
Use computer-generated images to create a textile
or T-shirt design.
Suggested Assessment Methods:
Evaluate the influence of other subjects on personal
images. (R)
Strands: MEDIA,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
11. Discuss and create works of art using appropriate
art vocabulary.
Suggested Objectives:
a. Use art vocabulary (e.g., color, shape, line, texture,
balance, contrast, rhythm, movement) when talking about his/her own work
and the work of others.
b. Use art language to request assistance on art projects
in the classroom.
Suggested Teaching Strategies:
Display art term signs around the classroom.
Suggested Assessment Methods:
Strands: PRODUCTION,
CRITICISM/AESTHETICS, MEDIA, HISTORY, INTEGRATION.
COMPETENCIES:
12. Collaborate with others to create works of art.
Suggested Objectives:
a. Plan and execute a small group project.
b. Plan and execute a class project.
Suggested Teaching Strategies:
Study the work of folk quilt artist Faith Ringgold.
Create a quilt (cloth or paper) by having each student make one square.
Display in an appropriate manner.
Suggested Assessment Methods:
Strands: HISTORY,
INTEGRATION.
COMPETENCIES:
13. Explore the role of artists in the community.
Suggested Objectives:
a. Discuss or write about a variety of art-related careers
(e.g., architect, video producer, package designer, fashion designer, landscape
architect, sign painter, fine and folk artist).
b. Make connections between objects in the environment
and the artist's role in creating them.
Suggested Teaching Strategies:
Work with computer teacher to produce a report about
an art career.
Suggested Assessment Methods:
Rubric based on good report writing.
VISUAL
ARTS
COURSE DESCRIPTION
GRADE 7
This course is designed to build skills in creativity
and intellectual abilities, particularly critical thinking skills, through
guided learning and practice in the Visual Arts. Basic principles and concepts
of the Visual Arts are applied. In addition to Mississippi artists, this
course emphasizes the study of a variety of stylistic and historical periods
of art.
STRANDS: Production, Media, Criticism/Aesthetics,
History, Integration
GRADE 7 COMPETENCIES: 1, 2,
3,
4, 5, 6,
7,
8, 9, 10,
11,
12, 13,
14,
15, 16, 17,
18
Strands: PRODUCTION,
CRITICISM/AESTHETICS.
COMPETENCIES:
1. Identify design elements and their effect on the student's
work and the work of others.
Suggested Objectives:
a. Memorize the definitions of the design elements (i.e.,
line, shape, space and form, color, texture, value).
b. Identify and explain an example of each of the elements
in a piece of artwork from a culture studied in social studies.
c. Identify and explain an example of each of the elements
in a piece of artwork of their own.
Strands: PRODUCTION,
CRITICISM/AESTHETICS.
COMPETENCIES:
Strands: PRODUCTION.
COMPETENCIES:
3. Create works of art using design elements and principles
to communicate ideas.
Suggested Objectives:
a. Use the elements of line, shape, space, form, and
value to draw the four basic shapes and transform them into forms (cube,
cone, cylinder, sphere).
b. Produce compositions using the basic forms and design
principles to express an idea.
Suggested Teaching Strategies:
Have students draw shapes/forms while observing a
demonstration of each. Use the cartoon style of drawing to combine forms
and draw more complicated images. Images may illustrate well-known historical
characters or events. (A, V, K)
Suggested Assessment Methods:
Use a rubric form to assess how correctly each shape/form
is drawn, and how they are combined to create a complete composition that
expresses an idea. (R)
Strands: PRODUCTION.
COMPETENCIES:
4. Communicate ideas through works of art focusing on
symbols and design elements.
Suggested Objectives:
a. Demonstrate personal stories using symbols emphasizing
through design elements.
b. Analyze symbols to determine meanings in artworks.
Suggested Teaching Strategies:
After studying the history of Heraldry, create a personal
Coat of Arms, focusing on good design that tells the student's story. (A,
V, K)
Study the illustrated book "The Very Rich Hours of
the Duke of Berry." Create a design within a small page format of a special
month as though it was a book illustration; use colored pencils to achieve
great detail (A, V, K)
Suggested Assessment Methods:
Have students practice "reading" Coats of Arms of
other students. (O)
Use a checklist to assess use of design elements in
a successful way, and use appropriate communication of an idea. (R)
Strands: MEDIA,
PRODUCTION.
COMPETENCIES:
5. Choose art media, techniques, and processes to enhance
communications of personal experiences and ideas.
Suggested Objectives:
a. Employ gesture and modeling techniques to draw the
human figure.
b. Use at least three varieties of color media to execute
designs or paintings, such as tempera, colored pencil, watercolors, markers,
acrylics, and/or pastels.
c. Construct or create a three-dimensional object using
available materials, such as carving in soap or a found object sculpture.
d. Create a textile design using at least one media,
such as paper weaving, stitchery, collage in yarn, computer designed patterns,
and/or paper molas.
e. Study, observe, and use one-point perspective.
Suggested Teaching Strategies:
Allow students to volunteer as "models" for gesture
and contour drawings. Add interesting "props" such as hats, cloaks, and
tennis rackets. Draw gestures and contours with several media, such as
pastel on black paper or marker on white paper.
Study images in the science textbook for patterns.
Discuss the basic categories of pattern, such as geometric and free form.
Study the carved images of the Aztecs, Egyptians, Pueblo
Indians, Northwest Coast Indians, and similar cultures, especially those
studied in social studies. Demonstrate planning a three-dimensional design
by drawing three different views. Transfer designs to a block of easily
carved material. Begin with cutting out the contour only, then moving to
"rounding" the image on all sides. Florist foam is easily cut but "clings"
- use breathing masks and wet cloths to control that problem. (V, K)
Create a "booklet" of watercolor techniques. Use these
techniques to do a sunlit watercolor of a cut watermelon. Eat the melon
afterwards. (V, K)
Use gum eraser as a "block," cut a pattern based on
one of the images studied, and do a group print of a piece of cloth. (A,
V, K)
Suggested Assessment Methods:
Use a checklist to determine the success of the pattern
translation and proper use of the printing technique. (R)
Evaluate a portfolio of a variety of gestures and contour
figure studies. (R)
Use a checklist to determine level of understanding/application
of a three-dimensional design or creation.
Strands: MEDIA,
CRITICISM/AESTHETICS.
COMPETENCIES:
6. Name and describe how different responses are created
by using various materials, techniques, and processes.
Suggested Objectives:
a. Compare the images of a particular symbol created
in a variety of materials using different techniques and processes.
b. Create multiple images of a particular symbol created
in a variety of materials using differing techniques and processes.
Suggested Teaching Strategies:
Look at the human head in the carving "Venus of Willendorf,"
the painting "Mona Lisa," and a school photograph of a student. Discuss
the similarities and differences in materials, techniques, and processes
and how they affect the viewer's response to each image. (A, V, K)
Suggested Assessment Methods:
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
7. Use art materials and tools safely and responsibly.
Suggested Objectives:
a. Participate in the distribution and collection of
materials and tools.
b. Participate in the care and conservation of materials
and tools.
c. Value and respect works of art, both of others and
their own.
Suggested Teaching Strategies:
Develop teams to be responsible for distributing and
cleaning up materials for a specified time. (K)
Demonstrate proper care of materials. (A, V)
Discuss respect for artwork emphasizing not touching
the work of others. (A)
Suggested Assessment Methods:
Observe on a daily basis to determine students who
are NOT having success in these areas and discuss the problem in a private
conference. (O)
Strands: CRITICISM/AESTHETICS,
HISTORY, INTEGRATION.
COMPETENCIES:
8. Identify various purposes for creating art.
Suggested Objectives:
a. Discuss major reasons for creating artwork in most
of the cultures and historic periods studied in other curriculum areas,
such as religious beliefs, practical needs, and record keeping.
b. Identify personal reasons for creating art (e.g.,
beliefs, enjoyment, expression, communication, and fulfillment of a requirement).
Suggested Teaching Strategies:
In studying images in preparation for a project, brainstorm
about reasons for the images studied. List reasons on the board; optionally,
place reasons in chart form by historical period and discuss the differences.
(A, V, K)
Use questioning and silent response for students to
analyze their reasons for choosing/creating personal works.
Suggested Assessment Methods:
Ask specific questions as part of a written evaluation
such as why a particular piece of work was created. (O)
Include essay questions in written assessments. (FR,
O)
Strands: HISTORY.
COMPETENCIES:
Strands: CRITICISM/AESTHETICS,
HISTORY, INTEGRATION.
COMPETENCIES:
Strands: HISTORY.
COMPETENCIES:
Strands: PRODUCTION,
CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
Strands: HISTORY,
INTEGRATION.
COMPETENCIES:
13. Make parallels in artworks that share similar historical
periods, subject matter, and/or cultural context.
Suggested Objectives:
a. Make a chart of types of pottery in four different
cultures in the same time period and list ways they are alike.
b. Describe houses in four different cultures and tell
how they are similar.
Suggested Teaching Strategies:
Have students bring social studies books to art class.
Look for pictures of houses throughout the book and write down page numbers
of pictures. Elicit responses from students to fill in a chart showing
similarities on chalkboard or large roll paper on the wall. Photocopied
images may be added to the chart later.
Suggested Assessment Methods:
Discuss the completed chart and relate to the student's
personal home. (O)
Strands: INTEGRATION.
COMPETENCIES:
14. Integrate principles and subject matter from other
disciplines into the visual arts.
Suggested Objectives:
a. Demonstrate the use of mathematical tools (i.e., rulers,
protractors, compasses) to create one-point perspective.
b. Relate basic shape/form drawing to the study of shapes
in mathematics.
c. Illustrate literary or historical characters using
basic shape/form, gesture, and/or modeling.
d. Select illustrations from textbooks in other curriculum
areas as inspirations for images created in art class.
Suggested Teaching Strategies:
Work with the math teacher on a tessellation project
using colored pencils or markers or watercolor. (V, K)
Read a literary passage or poem and illustrate.
Create a repeat pattern on the computer.
Suggested Assessment Methods:
Use a checklist to determine success in integrating
other subjects into a project. (R)
Strands: MEDIA,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
15. Use appropriate art vocabulary as students discuss
and create works of art.
Suggested Objectives:
Suggested Teaching Strategies:
Set aside a specific time to formally analyze artworks
as well as informal discussions. (A, V)
Remind students of proper art language when working.
(A, V, K)
Suggested Assessment Methods:
Strands: PRODUCTION,
MEDIA, CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
16. Collaborate with others to create works of art.
Suggested Objectives:
a. Plan and execute a group project.
b. Work with students from other areas to create art.
Suggested Teaching Strategies:
Divide class into groups. Let groups vote on artwork
that interests the majority. Go to the library to collect information above.
(A, V, K)
Study printing patterns of African textiles such as
adinkra cloth. Make individual printing stamps from gum erasers. Have every
student print rows of their designs on a large piece of paper or cloth;
use as a tablecloth.
Allow students to volunteer to help special education
students create simple art projects.
Suggested Assessment Methods:
Strands: HISTORY,
INTEGRATION.
COMPETENCIES:
17. Explore the role of artists in the community.
Suggested Objectives:
a. Discuss ten reasons a community needs the arts.
b. Relate personal knowledge of community members involved
in the arts.
Suggested Teaching Strategies:
Invite an artist in the community to speak to the
class. (A, V)
Ask students for personal experiences with artists,
relatives, or friends involved in the arts. (A, V)
Suggested Assessment Methods:
Have students list as many art-related jobs in the
broad community. (O)
Strands: INTEGRATION.
COMPETENCIES:
VISUAL
ARTS
COURSE DESCRIPTION
GRADE 8
This course is designed to build skills in creativity
and intellectual abilities, particularly critical thinking skills, through
guided learning and practice in the Visual Arts. Basic principles and concepts
of the Visual Arts are applied. In addition to Mississippi artists, this
course emphasizes the study of a variety of stylistic and historical periods
of art.
STRANDS: Production, Media, Criticism/Aesthetics,
History, Integration
GRADE 8 COMPETENCIES: 1,
2,
3, 4, 5,
6,
7, 8, 9,
10,
11, 12,
13,
14, 15,
16,
17, 18,
19
Strands: PRODUCTION,
CRITICISM/AESTHETICS.
COMPETENCIES:
1. Define the effects of visual structures and functions,
and identify these effects in their own work.
Suggested Objectives:
a. Review definitions of design elements.
b. Employ at least one of the elements in their own work.
Strands: PRODUCTION.
COMPETENCIES:
2. Define organizational structures and analyze their
effectiveness in the communication of ideas.
Suggested Objectives:
a. Review design principles.
b. Analyze use of principles in selected works of art
and objects in the environment.
Suggested Teaching Strategies:
Use a game format such as Jeopardy and have students
name elements and principles; point them out in selected works of art.
(A, V, K)
Have students critique their own work using specified
elements/principles. (A, V, K)
Suggested Assessment Methods:
Evaluate comprehension of elements and principles
by viewing pieces of work and having students name elements pointed out.
(FR)
Appraise effectiveness of communication of ideas by
studying the works of Turnbull, Church, or Hopper, and analyze how elements/principles
were used to create specific effects. (O)
Administer a fixed response test to evaluate knowledge
of definitions of elements and principles. (FR)
Strands: PRODUCTION.
COMPETENCIES:
3. Create works of art using the qualities of structure
and functions to communicate ideas.
Suggested Objectives:
a. Create drawings using various media, approach, and
subject matter organized by the elements and principles of design.
b. Design and execute a color wheel that includes neutral
colors and tints and shades.
c. Use one- and two-point perspective to generate specific
effects on student work.
Suggested Teaching Strategies:
Draw the human figure using gesture, contour, and
modeling approaches, and use elements/principles to place on the format.
Use each of the elements/principles in a series of
projects such as creating giant poster characters using line/proportion.
(V, K)
Use a different media to create a color wheel such
as paste, colored clay, colored pencils. (V, K)
Draw a simple still life of boxes or blocks, or draw
houses or buildings in one- and two-point perspective. Use a viewfinder
to do so. (V, K)
Suggested Assessment Methods:
Use a checklist to judge how well structures and functions
are employed in individual projects. (R)
Have students assess their own work silently as the
teacher asks pertinent questions such as: Do the figures "fill up" enough
space on the format? Which figure is most important? How do you know that?
(O)
Strands: PRODUCTION.
COMPETENCIES:
4. Communicate ideas through works of art using design
elements and style such as abstraction, nonobjective, impressionism, and
realism.
Suggested Objectives:
a. Illustrate one subject or idea in at least two different
styles using design elements.
b. Research a particular artist/style and do a piece
of work in that style. (V, K)
Suggested Teaching Strategies:
Choose an emotion to illustrate in two ways, such
as sadness illustrated by a geometric shape design using tints and shades
of blue, or a person in a dejected posture using similar colors. (V, K)
Place a small viewfinder over a large colorful magazine
picture; reproduce a "blow up" version using pastels in an Impressionistic
style. (V, K)
Suggested Assessment Methods:
Strands: MEDIA,
PRODUCTION.
COMPETENCIES:
5. Enhance communication of personal ideas and experiences
by purposefully choosing art media, techniques, and processes.
Suggested Objectives:
a. Construct puppets to use in an original play to interpret
a story.
b. Use the concepts of one- and two-point perspectives
to create the illusion of depth and space on a two-dimensional surface.
c. Provide a specific framework to complete an artwork,
allowing students to make media, process, and technique choices.
Suggested Teaching Strategies:
Have students work in groups. Choose a variety of
media, techniques, and processes to construct puppets, sets, and props
to dramatize an event in history or a well-known literary excerpt. (A,
V, K)
Have students create a work that repeats a shape three
times in different sizes, has a format that is not a rectangle, and uses
three colors or less. Students may choose media, technique, and process.
(V, K)
Suggested Assessment Methods:
Videotape puppet plays, replay to students, and discuss
successful and unsuccessful areas.
Use a gradesheet to check if all requirements are met;
provide a bonus for creative interpretation. (R)
Strands: MEDIA,
CRITICISM/AESTHETICS.
COMPETENCIES:
6. Analyze how different responses are caused by various
materials, techniques, and processes.
Suggested Objectives:
a. Select a subject to render in two different media
using different techniques and processes; observe and discuss differences.
b. Compare two widely varied approaches to depicting
the human figure.
Suggested Teaching Strategies:
Draw an animal influenced by the style of John James
Audubon using a drawn format and colored pencils. Sculpt the same animal
in clay. (V, K)
Look at Picasso's "Guernica" and Rembrandt's "Night
Watch"; discuss the effect each approach has on the viewer. (A, V)
Suggested Assessment Methods:
Have students show both animal projects together;
"brainstorm" with the class all the ways they are different. (O)
Include an essay question that requires the student
to compare different approaches, techniques, or media in two recognized
pieces of work. (O)
Strands: PRODUCTION,
MEDIA.
COMPETENCIES:
7. Use art materials and tools safely and responsibly.
(P, M)
Suggested Objectives:
a. Participate in distribution and collection of materials
and tools.
b. Participate in care and conservation of materials
and tools.
c. Value and respect personal work and the work of others.
Suggested Teaching Strategies:
Develop teams to distribute and take up materials.
Demonstrate proper care of materials. Discuss respect for others' work
and your own; focus on NO TOUCHING. (A, V, K)
Suggested Assessment Methods:
Observe the participation of students.
Strands: CRITICISM/AESTHETICS,
HISTORY, INTEGRATION.
COMPETENCIES:
Strands: HISTORY.
COMPETENCIES:
9. Produce works influenced by artwork of different eras
and cultures.
Suggested Objectives:
a. Inspect the works of particular artists or periods.
b. Create a work of art using the influence of a particular
artist or period.
Suggested Teaching Strategies:
After studying the work of Bridget Riley, create an
"OP Art" piece using felt markers, colored papers, or colored pencils.
(A, V, K)
Have students research a particular artist. Write a
brief paper about the artist, then copy a selected piece of work onto large
paper and place on a ceiling tile if possible. The artist's name and the
title of the work should be prominent on each piece to provide an ongoing
learning tool. Some mathematics will be necessary to enlarge the work proportionately.
Leftover space may be used for name and title. Emphasize stating "copied
by" before the student's name. (A, V, K)
Study a selected artist and create a poster using the
artist's style. (A, V, K)
Study varied cultures of the America's, such as Mayan,
Indian, or Northwest Coast, and create pottery pieces that echo works from
those cultures.
Suggested Assessment Methods:
Evaluate reports on artists based on English rules
of grammar, composition, and content. (FR)
Judge student work with a checklist including the influence
of the culture/artist studied. (R)
Have students select three pieces of personal work
they feel is most successful and explain why. (O)
Display student works and determine the success of
communication by comparing responses to other students' works, particularly
posters. (O)
Strands: CRITICISM/AESTHETICS,
HISTORY.
COMPETENCIES:
10. Compare intentions to responses to personal work
and artworks of eras and cultures studied in other disciplines.
Suggested Objectives:
a. Relate perceived intentions of selected artworks to
stated intentions.
b. Express intentions and compare to perceived intentions
to the student's artwork.
Suggested Teaching Strategies:
Display student works. Allow several students to say
what they think the "story" or intention was; then have the student artist
explain their intention. (A, V, K)
Suggested Assessment Methods:
Investigate and specify the historical and cultural
context of a variety of artworks. (H)
Strands: HISTORY.
COMPETENCIES:
11. Investigate and specify the historical and cultural
context of a variety of artworks.
Suggested Objectives:
a. Recall the culture of origin and/or general time period
of at least ten pieces of work, including both two- and three-dimensional
works.
b. Recall at least five pieces of American artwork by
artist/era.
Suggested Teaching Strategies:
Set up a rear screen projector with slides from a
variety of eras and cultures, particularly the Americas. Allow students
to view slides during any extra time.
Suggested Assessment Methods:
Show slides on the screen and have students name culture,
era, and/or artist.
Strands: CRITICISM/AESTHETICS,
HISTORY, INTEGRATION.
COMPETENCIES:
12. Identify and demonstrate how factors of time and
place (e.g., climate, technology, etc.) affect artwork to give it meaning
and value.
Suggested Objectives:
a. Examine similar subjects in a variety of cultures,
locations, and time periods.
b. Interpret the effects of climate, technology, religious
beliefs, and/or governing system on works viewed.
Suggested Teaching Strategies:
Look at the depiction of the human being in a variety
of artworks. Discuss differences and why these differences might exist,
such as clothing related to climate, body-size related to social status,
and symbolism related to beliefs. (A, V)
Suggested Assessment Methods:
Speculate on how human beings in the future might
be depicted in artwork. (O)
Strands: CRITICISM/AESTHETICS,
HISTORY, INTEGRATION.
COMPETENCIES:
13. Debate meanings of specific artworks based on culture
and aesthetics.
Suggested Objectives:
a. Select a particular painting, drawing, sculpture,
or building and analyze it based on design principles and/or its role in
history.
b. Debate analyses formed in above objective.
Suggested Teaching Strategies:
Divide a small group of students into prosecution
and defense and set up a courtroom; students have previously studied a
specific artwork and have been given index cards with opposing "meanings"
- students will plan a prosecution and a defense based on their meaning;
remaining students become spectators.
Suggested Assessment Methods:
Strands: HISTORY,
INTEGRATION.
COMPETENCIES:
14. Make parallels in artworks that share historical
periods, cultural contexts, or similar subject matter.
Suggested Objectives:
a. Identify a specified historical period and select
a painting, sculpture, and building from the period and locate parallels.
b. Explain a specific culture's characteristics, and
examine two or three types of art from that culture, comparing similarities.
Suggested Teaching Strategies:
Look at slides or prints of a building, painting,
and sculpture from the Colonial period. Relate how they are similar. (A,
V)
Suggested Assessment Methods:
List similarities of artwork in one culture on a sheet
of paper. (FR)
Strands: INTEGRATION.
COMPETENCIES:
15. Integrate principles of subject matter from other
disciplines into the visual arts.
Suggested Objectives:
a. Investigate how other disciplines influence the creation
of artworks.
b. Apply information from other subject areas in creating
artworks.
Suggested Teaching Strategies:
Research the Choctaw Indian culture in Mississippi.
If possible, invite a pine needle or rag coil weaver to demonstrate their
craft for art class. Make a basket. (A, V, K)
Use dark cloth, bleach, and oil brushes to create a
tablecloth using Aztec or similar design. (V, K)
Select a passage from the literature book to illustrate
with pen and ink. (A, V, K)
Relate math concepts to create tessellation images.
(A, V, K)
Suggested Assessment Methods:
Use a checklist to determine the use of other subject
area influences. (R)
Strands: MEDIA,
CRITICISM/AESTHETICS, HISTORY.
COMPETENCIES:
16. Use appropriate art vocabulary to discuss and create
works of art.
Suggested Objectives:
a. Recall vocabulary definitions or words used in each
unit of study.
b. Discuss and analyze selected art pieces as to design
elements, design principles, techniques and processes used, visual influences
and effects of varying factors and purposes, and meanings using vocabulary
learned in the class.
Suggested Teaching Strategies:
Have a word find, crossword puzzle, or similar activity
to reinforce art vocabulary. (A, V, K)
Suggested Assessment Methods:
Check word find or similar activity for accuracy.
(FR)
Strands: PRODUCTION,
MEDIA, CRITICISM/AESTHETICS, HISTORY, INTEGRATION.
COMPETENCIES:
17. Collaborate with others to create works of art.
Suggested Objectives:
a. Work in teams to plan and produce a specified project
within the classroom.
b. Work with persons/organizations outside the classroom
to produce artworks.
Suggested Teaching Strategies:
Create a two- or three-color print by working as a
team, each person responsible for a different color plate. (V, K)
Write and dramatize a historical event using handmade
puppets and sets. (A, V, K)
Participate in community projects, such as notecard
designs to benefit the local nature center.
Suggested Assessment Methods:
Videotape puppet performances and evaluate its success
in communication. (R)
Use a checklist to assess correct use of concepts and
materials in a two-color printing. (R)
Use a rubric to evaluate notecard designs.
Strands: HISTORY,
INTEGRATION.
COMPETENCIES:
18. Explore the role of artists in the community.
Suggested Objectives:
a. Identify the art needs of the community.
b. Identify the roles artists in the community play.
Strands: INTEGRATION.
COMPETENCIES:
19. Discuss careers in art as a vocation (i.e., graphic
designer, publisher, potter, etc.)
Suggested Objectives:
a. Recall and identify a variety of art jobs in the community
(local and state-wide).
b. Research selected art careers to determine qualifications,
education, and job responsibilities.
Suggested Teaching Strategies:
Using a "Bingo" game format, have students listen
to art job descriptions and cover the appropriate term on individual bingo
sheets. (A, V, K)
Invite local artists to demonstrate and discuss their
career with the class. (A, V)
Suggested Assessment Methods:
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